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In the first installment of twelve stories, Zenit and his

Jan. 18, 2018 by Lena Webb

In the first installment of twelve stories, Zenit and his colleagues found they could make fluid painting by inserting a large fluid in the painting—a metal oxide—and then creating a thin, flat shape of it on the surface. They used this thin surface to create a brush pattern which was then applied to the surface of each piece of fluid. "It was a really interesting and challenging process because it involved a lot of different things that are different from what we would have if we just applied a thin layer of metal oxide," said Zenit.

By adding a layer of metal oxide to the surface of one painting, the team achieved a fluid composition that resembled a large fluid in shape. This fluid composition was not just an abstraction: it was the result of a massive scientific investigation that showed how the fluid is made.

"What we found was that this fluid composition was not just a composition of a small metal oxide," Zenit said. "It was a composition of fluids, and as these fluids flowed down the surface, that fluid began to separate, and then it separated from the surrounding surface. This was the first time we made a fluid composition in which we could see that this was a completely different fluid."

"The first thing you notice is that they weren't just a composition of metal, but they were also fluid components, so you can see how this system of fluid mechanics is working."

"What's interesting is that they weren't just a composition of metal, but they were also fluid components, so you can see how this system of fluid mechanics is working."

"This is what they were working on. This is what they were working on. This is what they were working on."